Art treasures worth £58m used to settle tax
12 Sep 2019
A 17th-century manor house and a Damien Hearst bronze sculpture were among cultural items accepted by the nation in exchange for tax breaks last year, with the total of £58.6m in tax settlements the highest ever
12 Sep 2019
The cultural gifts scheme allows UK taxpayers to donate important cultural works to the nation in exchange for receiving a tax reduction (based on a set percentage of the donated objects’ value), while acceptance in lieu enables UK taxpayers to settle inheritance tax or one of its earlier forms by offering important works to the nation.
Arts Council England, which administers both schemes on behalf of the Department for Digital, Culture, Media and Sport said 46 cases were settled last year, with £58.6m the highest figure gathered through the respective initiatives since their inception back in 2013.
Figures for the last twelve months show that the total tax settlement value received through the two schemes exceeded £30m for the first time. The number of items, too, was at a record.
Sir Nicholas Serota, chair of Arts Council England, said: ‘This past year has been record-breaking for the acceptance in lieu and cultural gifts schemes’, which he described as ‘two hugely important ways for exceptional works of art, objects, manuscripts and archives to enter public collections throughout the country – making a valuable contribution to local communities and enjoyed by millions.’
Submissions via the tax recovery mechanisms in 2018/19 included paintings, sculptures, ceramics, prints, furniture, archives, manuscripts, and a manor house.
As well as Wretched War, a bronze sculpture depicting a pregnant woman by Damien Hirst, other donations included six archives including those of Labour politicians Tony Benn and Clement Attlee; two leaves from Charles Darwin’s autograph manuscript of On the Origin of the Species; a rare collection of Islamic ceramics from Gurgan, a city near the Caspian Sea destroyed by the Mongols in 1220-21; and an oil painting by Bernardo Bellotto, depicting Venice on Ascension Day.
By Pat Sweet